Artwork by Kate Serebrianskaia With Eyes Wide Open, 2026. Acrylic fluid and ink on canvas.
Vintage Omann Jun Rosewood Sideboard from Mr. Bigglesworthy at Good Form, Romy Table Lamp by Cam Barrett from Good Form, Bokk Bottle Opener by Nedre Foss from Good Form.
Many visitors to the gallery will be aware that we have fostered a joint art and design collaboration throughout the years with a number of galleries. Proudly for the last few years we have partnered with Föenander Galleries, led by Elle Föenander and James Brown. It has added depth to the presentation of our space with a selection of works from leading contemporary artists to view while experiencing the furniture and design pieces.
More recently Elle has invited Good Form director Emma Eagle to join her in curating the debut show for an emerging artist Kate Serebrianskaia.
In This Moment, A Second Lasts Forever
5 – 25 March, 2026
Location –
Föenander Galleries
1 Faraday Street Parnell
Artwork by Kate Serebrianskaia Flare, 2026, Acrylic fluid and ink on canvas.
Vintage Rare And Iconic Stephane Rondel Cane Peanut Chairs By Rondel Design from Mr. Bigglesworthy at Good Form, Vintage Rare Ernst Plischke Modernist Light Shades for St Martin's Church from Mr. Bigglesworthy at Good Form, Måne Wooden Bowl by Nedre Foss from Good Form, Vintage John Crichton Pan-Pacific Modernist Kauri Bowl with Salad Servers from Mr. Bigglesworthy at Good Form.
Föenander Galleries have added depth to the presentation of the Good Form gallery space with a selection of works from leading contemporary artists to view while experiencing the furniture and design pieces.
Together, Emma and Elle have shaped a space that invites viewers to encounter her work through a considered selection of objects from Good Form – pieces that respond to her concepts, scale, and chromatic language. We embraced contrast as a curatorial gesture, drawing attention to unexpected duotones and subtle tensions. Vintage and contemporary design pieces from Good Form sit in quiet dialogue throughout the gallery, creating an intuitive, three-dimensional journey that moves between artwork and object with ease.
Artwork by Kate Serebrianskaia 'Magnified', 2026.
Pair of Sharp Henning Kjaernulf 'Razorblade' Armchairs by Nyrup Møbelfabrik from Mr. Bigglesworthy at Good Form.
Kate Serebrianskaia Something to believe in, 2025. Acrylic fluid and ink on canvas.
We embraced contrast as a curatorial gesture, drawing attention to unexpected duotones and subtle tensions.
Kate Serebrianskaia, Things are changing but I am still here, 2026. Acrylic fluid and ink on canvas. from Good Form.
Cell Candleholder by Zaha Hadid Design from Good Form.
Artworks by Kate Serebrianskaia There is a place where we belong, See how it shines 2026. Acrylic fluid and ink on canvas, Framed.
Rabarbra Vase by Nedre Foss from Good Form.
Exhibition Text by Emma Eagle
Across the space, spectrums unfold – of paint, of material, of tone. As we developed the exhibition, we found ourselves searching for ways to articulate the experience of the works: how to describe colour that feels immersive, how to give language to surface, depth, and subtle changes. Spending time with Kate’s paintings prompted a reflection on how words, too, might create a spectrum – how language could echo the same shifts, bleeds, and transitions found within her canvases.
Subtle – Subdued
Meditative – Monotone
Raw – Radiant
Disciplined – Deliberate
Minimal – Measured
Subtle – Serene
Compose – Controlled
Stable – Supple
Duotone – Devotion
Luminous – Lyrical
Present – Punctuated
Textured – Tempered
Restless – Ravenous
Obnoxious – Opulent
Theatrical – Trance
Wild – Wishful
Rapturous – Reverie
Nirvana – Nebula
Blissful – Bloom
Subside – Surrender
Reflection – Resonance
Kate Serebrianskia Things are changing by I am still here, 2026. Acrylic fluid and ink on canvas.
CC Stool by Rex Kralj from Good Form.
Across the space, spectrums unfold – of paint, of material, of tone. As we developed the exhibition, we found ourselves searching for ways to articulate the experience of the works: how to describe colour that feels immersive, how to give language to surface, depth, and subtle changes.
Artwork by Kate Serebrianskaia (artist pictured with co-curator Emma Eagle of Good Form) Something to believe in, 2026. Acrylic fluid and ink on canvas.
Artwork by Kate Serebrianskaia.
Monoblokk Vase by Nedre Foss from Good Form.
